Stephanie Sutton’s performances for the camera employ conventions of labor and ritual to complicate assumptions of discipline and destabilize virtues of self-control through the critical lenses of feminist theory, identity politics, and medical pathologies. Sutton's work is recognized for its success in transgressing the limits of the isolated subject and redirecting self-consciousness onto the viewer. Sutton earned her MFA from University of Georgia, and her BFA at Georgia State University. She is currently Assistant Professor in Photography and Expanded Media at Winthrop University in Rock Hill, South Carolina.
“As a lens-based performer, I serve as my work’s primary figure, and accordingly, my art is both personal, grounded in my own specific experiences as a fat-bodied subject, and philosophical, using these experiences as a means of engaging enduring questions about subjectivity, alienation, and intimacy. There is also a political dimension to my work, which highlights and subverts the many assumptions the fat body compels. Most often captured in the form of installations that combine video and still photography, these performances contrast strict and demanding rituals (lawn mowing, mandala making, etc.) with seemingly indulgent behaviors such as excessive eating and dancing alone. As I argue, the fat body is apolitically subversive force, powerful precisely because of its radical, hypervisual noncompliance.
If the work develops from the particularities of my body, its ultimate goal is to probe the relationship between individuals and the many lenses through which we see and are seen.In support of broadly advocating for the transgressive power of the fat body, my work also renders visible the very invisible sensations of discovering one’s own body image, reflecting the plurality of positions with which the self can identify when the boundaries of subjectivity become blurry.”
-Stephanie Sutton.